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Representation

Alexander Vangelos | First Artists Management

O: (818) 377-7750

 
 

LATEST PRAISE & REVIEWS

I hope Zigman’s Tango Manos becomes as popular as Boléro. It is one of the few modern works which deserves to be heard by everyone because it will be liked by everyone.
— STEPHEN KRUGER, New York Arts
 
Zigzagging Through Genres, Composer Aaron Zigman’s Music Transcends Boundaries.
— Doreen Ringer Ross, BMI
Capable of intimacy and lush orchestrations, Zigman’s “Wakefield” is the height of musical introspection and suspense...it is a multi-layered, multi-thematic score of dazzling complexity.
— Film Music Magazine
Zigman crafted an appealing and well-received concerto…
— Classical Voice America 
Zigman and Thibaudet hold reputations as legends in the film industry with their involvement in scores and soundtracks of notable works…[Tango Manos] was an incredibly dynamic performance.
— Francesca Hodges, music critic
Zigman’s pure Tango Manos concert aids in China’s cultural heritage protection efforts.
— China Radio International
Tango Manos’ three distinct movements show the composer [Aaron Zigman’s] gift for melody and orchestration.
— Phil Campbell, Arts & Culture critic
The highlight of the program, already particularly rich in discoveries, was the French premiere of the Tango Manos Concerto for piano and orchestra by the American Aaron Zigman
— Journal La Terrasse
[Wakefield] by Aaron Zigman (The Notebook, For Colored Girls) is one of the year’s most haunting and effective scores.
— Jon Burlingame, FIlm Critic